The play is worth watching for its efforts to mobilise society towards caring for the physically challenged.
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Our negligence towards the underprivileged communities in this country borders on the criminal. While greater attention — but by no means enough — has been given to persecuted religious minorities, the poorer class’ restriction of movement as a result of hefty entrance fees to public parks and recreational areas makes it even more difficult to call this city one’s own. The more obvious and shameful restriction to a freedom of movement however, has been towards the physically challenged. Cinemas and restaurants aside, public institutions like buses, schools, courts and even hospitals are inaccessible to people on wheelchairs and crutches. Inarguably, more needs to be done to facilitate the physically challenged, and more people need to be made aware.
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It is for this reason alone that Junoon, a play by Show You Care (SYC) an NGO that advocates for broader wheelchair accessibility in public buildings, is worth watching. It is a valiant, innovative and necessary effort to mobilise society towards caring for the physically challenged. Keeping this in mind, one also has a moral obligation to go see this play, not simply an aesthetic one.
The play is worth watching for its efforts to mobilise society towards caring for the physically challenged.
The plot is straightforward — an ambitious, talented dancer Annie (Shameen Khan) has her life altered after an accident which puts her in a wheelchair permanently. Initially, the plot stalls and meanders unnecessarily until Annie has her accident in an anti-climactic scene. Rather than feel shock or concern, one can only breathe a sigh of relief at the accident, knowing that now the plot would finally move forward.
Distraught and disillusioned, Annie becomes a recluse until a budding friendship with another physically challenged woman, realistically wheelchair-bound producer Farhat Rasheed, inspires her to dream again.
Amateur voice projection and futile attempts at slapstick comedy are misplaced because they distract the audience from the theme in question. The same applies to the status of the play as a ‘musical.’ An assumption on the part of the director that the sobering realisation that the physically challenged have not been granted their rights isn’t enough to keep the audience in their seats (it is), but instead, some Bollywood masala might do the trick (it doesn’t), the audience is subjected to breaks between hard-to-hear dialogues by dance numbers that don’t have anything to do with the play.
The play, and everything about it, does pick up after the accident. Once the distractions of the banter are taken away the acting gets better, and so does the script. Farhat’s own appearance is quite moving, and despite its faults, the play and what it stands for does shine through in the end.
Anwar Maqsood, a special guest and patron of the play, said as much when he recommended that Annie ought to have broken her leg during the first dance number. As the theme of the play is powerful enough, the speeches and videos shown before and after the play seem excessive. To its credit, SYC employed subtle ways to highlight its cause — rather than the usual host of VIPs, the reserved seats were occupied by physically challenged people and their families.
The play is worth watching for its efforts to mobilise society towards caring for the physically challenged.
The aesthetic has (unnecessarily) been sacrificed for the moral, but
the moral is important enough to make this play a worthwhile watch.
Directed by Anjum Ayaz, Junoon is playing at the Arts Council every day at 8pm until November 25.
Source : The Express Tribune , 24th Nov 2013
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